Creativity and Spiritual India

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I see the future

“Jashan wove through the dense London crowd, trying not to catch anyone’s mind.”

Hi. I’m B.T. Lowry. Welcome to this week’s scene of the week, I see the future.

I see the future of anyone who looks at me - paul bica

By Paul Bica

Listen here: 

Jashan wove through the dense London crowd, trying not to catch anyone’s mind.

He felt someone looking at him, and met her gaze without meaning to. A middle-aged woman in frumpy clothes. Sensations and images swirled around her, of her birth and her birthing a baby girl and her life wove through his mind like a thread with a sharp needle: I loved tennis but I had a child and stopped playing to give her my love. Then her future: My husband will divorce me and my daughter will marry overseas and I’ll grow old alone.

The woman glanced away. They never noticed what had happened. They didn’t know their own future, only their past. Jashan turned like a dancer, moving fast through the crowd without touching anyone, thinking of his forest and wishing he were still there with Father.

A man bumped his shoulder. Jashan turned back to him. The man’s big lips drew in a frown. Jashan caught his eyes to see if the man was angry enough to throw a punch, then the man’s life played: I want to be boss of a little tech company but I’m an employee and have been for years. I’m trained to be friendly and never show anyone but the envy of my boss burns me slowly. I’ll become alcoholic but in my last years I’ll leave that and do community service gardening and try to let this burning ambition die down.

Jashan apologized, turned away. He’d seen much worse in the minds of the crazy people.

In the forest there had been none of this. A baby fern once told him: I will grow three feet into the air before I run out of my seed-energy. There won’t be enough light filtering through the canopy for me so I’ll wither away and die.

In some ways, lives in the forest weren’t so different from here. But here the events in people’s lives had a thousand accoutrements, branching out in all directions, incredibly complex. And they were also disconnected from themselves and from the earth who nursed them.

Jashan had seen a bear crashing through the bush once: I’ll be on my own in a new patch of forest but I’ll always think of the other cubs. We grew up rolling together and sleeping in a pile. As I grow older I’ll become solitary and hibernate more than six months a year and I’ll not hunt because of sadness and I’ll starve.

There was sadness everywhere, but in the forest it was simple, elemental. But Jashan’s Father had left there to save it from these people who loved machines. He hadn’t succeeded. Now Jashan was in London, the hub of madness, on his way to meet the woman who had presided over the destruction of his home.

He wondered what her future was, and whether he could change it.

 

***

 

I’m already working on  developing this one into a short story, regardless of what the vote is! My good friend Bala is helping, and his experiences with the conservative mental health system in the UK are sending the story in a new direction. If someone claimed to have powers in the UK, being able to read people’s emotions or future, they would likely be sectioned. There is an imagined norm, and deviance from that is a disorder.

Now while I don’t think the whole thing is bunk, and some people really do benefit from medication and therapy, I do think that our western world view is too limited to accommodate everything that’s ‘normal’ for human beings to experience. If you’ve ever seen the movie ‘Horse Boy,’ for example, you’ll know that autism is viewed very differently by Siberian shamans than it is by the medical profession. It’s true that some people don’t function as ordinary citizens, but don’t we need people who are out of the ordinary too, not just in one way but in many ways?

 

Thanks for reading. If you’d like to see this scene expanded into a story, then tell me in the comments that this is the one you want. If you want to see what I can do with a deeper story, pick up  my novel here, Fire from the Overworld. It is the story of two young mystics who fight to restore balance in their desert village, when war erupts among its spirit rulers. Feel free to sign up for the new scenes in your mailbox each week, along with guest posts, and my thoughts about living, loving, investigation and creation. 

This work is licensed Creative Commons, attribution, which means you can use it however you want, even commercially. Just let people know which bits came from me. Thanks!

Lonely

“When the constellations came out at night, they were still perfectly aligned with his inner sense of direction. The world laid itself out before him.”

Hi. I’m B.T. Lowry. Welcome to this week’s scene of the week, Lonely.

By Tuncay

By Tuncay

Listen here: 

It was all too easy, walking through these pines. Making lean-tos at night, trapping rabbits… Even the snow had a crisp layer which supported his snowshoes nicely. Fischbach peak could be tough to climb this time of year, but it was nothing that Hasran hadn’t done before. When the sun rose, it was always just where he thought it would be. When the constellations came out at night, they were still perfectly aligned with his inner sense of direction. The world laid itself out before him.

That night he came to the old cabin that he’d used last year on this same route. He tied the sled onto a tree trunk, out of habit from camping on slopes. The snow could shift and the sled would slide. It was better to be safe.

He creaked open the door. Inside, the cabin had degenerated more since he’d last come. Other men must have made camp there. New scratches marked the floor, and someone had even forgotten a tin mug.

Careless.

He went out and got his mat and blanket from the sled, then laid them on the bed. Coils sprang out in every direction but it was still better than sleeping on the floor.

He brought some dry wood out from the tarp. He’d have to leave some pieces here for the next person, though no one had left any for him. He melted snow to drink, and poured some of the boiling water into a bowl of oats and bran. Salt would be a luxury. He sat on the bed, and soon found himself staring at the doorway. It creaked in the wind, and light leaked around its edges as though heaven shone outside. Someone had carved a scene into the planks: a woman walking up a mountain.

Artists. Hasran wished for a moment that he had some hobby like that. The long nights were making him crazy, like Uncle had been crazy. The problem came in wondering too much what makes humanity tick.

 

***

 

When I was a kid, my family and I were cross-country skiing through a Canadian pine forest, when we came across an abandoned shack. The snow came half-way up its sides. Snow-laden pines surrounded it and the forest was preternaturally quiet, with the snow absorbing all sound. I clambered down into it from the surface.

The wooden planks on the walls had warped so that light streamed in. A cot took up a quarter of the total space, with rusty bedsprings coming out from mulched cotton. I imagined some hermetic trapper living there, or someone who just couldn’t find peace within civilization. It’s that experience which inspired this story.

 

Thanks for reading. If you’d like to see this scene expanded into a story, then tell me in the comments that this is the one you want. If you want to see what I can do with a deeper story, pick up  my novel here, Fire from the Overworld. It is the story of two young mystics who fight to restore balance in their desert village, when war erupts among its spirit rulers. Feel free to sign up for the new scenes in your mailbox each week, along with guest posts, and my thoughts about living, loving, investigation and creation. 

This work is licensed Creative Commons, attribution, which means you can use it however you want, even commercially. Just let people know which bits came from me. Thanks!

Ancient Evil

“I know, I know. But we are also mortal.”

Hi. I’m B.T. Lowry. Welcome to this week’s scene of the week, Ancient Evil.

Ancient evil - ROBERT HUFFSTUTTER

image by ROBERT HUFFSTUTTER

 

Listen here: 

We’ve haunted this land since before time began. When these castles were unformed clay and stone, we watched men build them up. Inspiring a spider to bite, tempting a street-boy to his first mugging, we helped them remember that death is close for them.

I know, I know. But we are also mortal.

Silence! Have you known one of us to die?

I’ve only ever known you, Mother. Who is that one, flying in now on a rotating machine?

Let me sense him… He is an investigator. He wants to know what happened here a thousand years before his birth. Ah, there is a scorpion. I’ll use that to—

Don’t kill him.

Oh? Are you sympathetic to these tiny creatures now?

It’s not that. I have no empathy. That would be strange. But curiosity… We’ve been inspiring snakes and scorpions for so long… couldn’t we control the urge of reproduction, or the impulse that makes men build these structures so high in such a short time, even though they’ll all die so quickly? Couldn’t we control those, like Uncle does?

We were not made to do that work, son.

Hmph.

He’s nearing…

Who made us?

 

***

 

As I write this, I’m in the Abu Dabhi airport, on my way to India. I tried to get into the US, spent some time in England waiting for a long-delayed Indian visa (I wrote ‘writer’ as my profession and they were afraid I was a journalist, which is for some reason problematic.)

I’ve recently finished a book called ‘The new green history of the world,’ by Clive Ponting. It’s a realistic re heavy look at the history of the human race and our relationship with the environment.

While the history presented in the book never questions western evolutionary theory, and I think it should, and it doesn’t take into account the possibility of civilizations more ancient than what’s taught in schools, it’s still an eye-opening account of at east of the last two thousand years. In the last five hundred years especially, and the last fifty exceptionally, it’s a history of unsustainable exploitation. We are in an extreme spot now, with the world’s systems breaking down. Our energy-hungry international commerce is mostly running off oil-power. The planes, the cars, the power plants. And it seems there’s not much of that left, and the world is heating up.

So as I’m sitting in this ultra-modern airport, typing away on my laptop, I wonder, how long can this last? Will government and trade break down, or will we transition somehow into another phase which, while more modest than this massively expansionist phase we’re in now, would involve substantial international travel and trade of culture and goods.

 

Thanks for reading. If you’d like to see this scene expanded into a story, then tell me in the comments that this is the one you want. If you want to see what I can do with a deeper story, pick up  my novel here, Fire from the Overworld. It is the story of two young mystics who fight to restore balance in their desert village, when war erupts among its spirit rulers. Feel free to sign up for the new scenes in your mailbox each week, along with guest posts, and my thoughts about living, loving, investigation and creation. 

This work is licensed Creative Commons, attribution, which means you can use it however you want, even commercially. Just let people know which bits came from me. Thanks!

Ghosts from 500 years ago, expanded version

Hi. B.T. Lowry here, fantasy author and videographer. Welcome to the first story developed from the scene-of-the-week series.
The scene which got the most votes was the short film, “Ghosts from 500 Years ago,” so I went right ahead and developed it further. I added more footage and brought in a ghost-king from ancient India and some deep thoughts. If the first part seems familiar, jes’ keep watching.

Here it is:

My special thanks go out to Erothyme, with Biomigrant and Emma Staarbird. Their excellent music is featured in the latter part of the film, the song “Pines and Leaves,” from the album, “Sound in the Living Current.” The whole album–and all their work, really–is excellent. You can find out more about them at these sites:

http://www.erothyme.com
http://facebook.com/biomigrant
http://biomigrant.bandcamp.com

Also, thanks to unnamed temple musicians of South India and Orissa, whose celebratory sounds also grace this film.

Thanks for watching and listening and reading. Feel free to look around the site, btlowry.com, for more scenes and such. You can also read my novel, Fire from the Overworld, and sign up for the new scenes in your mailbox each week, along with guest posts and thoughts about living, loving investigation and creation. Or you don’t have to do any of that, and we can still be friends.

Bouncing off Borders

Hi. I’m B.T. Lowry. Welcome to this week’s scene of the week, Bouncing off Borders.

Our World - DIBP images

Our World – DIBP images

Listen here:

I shuffled up to the immigration desk.

“Papers,” said a brawler of a man with a thick black mustache.

I furnished him with my passport.

He scanned it, said without making eye contact. “Why do you want to go to the USA?”

It’s a free world and this land belongs to no man, and to everyone. You people stole it from the Indians and they didn’t own it either. We’re all coming and going.

“Visiting friends,” I replied.
He frowned. “Don’t you have any friends in your country?”
No one belongs to any country or family. We’re all citizens of the Earth, and even more than that we’re  citizens of the universe and children of God.

“I do,” I said. “I have friends here too.”

He looked over whatever information was on his screen about me. “It says here that you’ve been to the USA before. You’ve been to many countries. Why would you want to leave your own country, stay there with your family?”

I have no country. I just happened to be born in some piece of land recently designated by a name.

“I like traveling.”

He made a mark on some sort of checklist, then looked back at the screen. “You said you’re a writer.”

“Yes.”

“Are you a journalist?”
“No Sir.”

He looked me in the eye for the first time. “Well what do you write?”

The whole world is an allegory. You just shift it left or right like transposing a song, or the down indicates the up, earth points to heaven. There’s no fiction. Every idea indicates something real.

“Well, I filled out the landing card.”

He nodded, apparently satisfied. “Do you plan on writing when you’re in the USA?”

“No, Sir. I only write in my own country.”

“While in your own country, do you intend to write about experiences that you had while in the USA?”

“Ah, no Sir. I only write in my own country about experiences that I have in my own country, Sir.”

“Very good.”
“Can I go in?”

“No. Policy dictates that every man should live in his own country.”

“So there should be no travelers?”

“Only on business.”

I closed my eyes, told myself not to yell at this man, not to attack.

I opened them and raised my hand above my head. “Charge!”

From the back of the immigration room, a force of war-horses five hundred strong sprung from hiding. Their riders, clad in exotic, angular armor, raised hooked blades over their heads as they charged into the USA.

 

***

 

This scene was inspired by my recent visit to the Los Angeles airport. I was welcomed by men who had a keen interest in me as a person, who wanted to know all the details of my life. They were kind enough to escort me around the airport, and even gave me my own space in a locked room with other guests. I got to see the inside of a police van, and was able to return to my home country much more quickly than I’d hoped.

This experience left me with an appreciation for the human conceptions of countries, borders, and also money, because it is largely the glow of money which keeps these constructs intact. How amazing it is that a country not five hundred years old, in its current incarnation, and which was largely stolen from the older inhabitants, now keeps people who were born in other places out! It is indeed a testament to mind over matter that these ideas govern our lives and activities. In this spirit, I have decided to name a constellation of stars after myself, and should anyone ever make it to that area of the universe, I will question them thoroughly and charge them an entrance fee.
Thanks for reading. If you’d like to see this scene expanded into a story, then tell me in the comments that this is the one you want. You can also grab my novel here, Fire from the Overworld. It is the story of two young mystics who fight to restore balance in their desert village, when war erupts among its spirit rulers. Feel free to sign up for the new scenes in your mailbox each week, along with guest posts, and my thoughts about living, loving, investigation and creation. 

This work is licensed Creative Commons, attribution, which means you can use it however you want, even commercially. Just let people know which bits came from me. Thanks!

 

A Boy and his Goat

by Tristan Schmurr

by Tristan Schmurr

Hi. I’m B.T. Lowry. I’ll be recording the next few scenes in Govardhana, India. India is wonderful, but in the entire country, there is no place which is quiet, except perhaps the peaks of the Himalayas, where there’s no electricity. So don’t mind the calls of temple goers in the background, will you?
Welcome to this week’s scene of the week, A boy and his goat.

A boy stops at the edge of a gargantuan canyon. Clouds swirl below and around him, so he cannot see the limits of the abyss. Only distant peaks cut above the clouds, gleaming on the horizon. He’s been traveling for a long time, so the boy sits on the edge of the canyon, swinging his legs in the air.
He wonders how to cross… How to reach those mountains?
He removes a notebook from his pack, with wheat-colored pages. He stares out for a while, then sketches a bridge across the gorge. He draws a goat walking across the bridge. As the boy draws he grows tired, so he lies back and sleeps.
When he wakes, he is sitting up and it is night. The goat from his drawing walks ahead of him on a rickety wooden bridge, which swings in the breeze. The boy stands with shaky legs, and finds wooden slats beneath his bare feet. The mountains in the distance are purple and blue, the sky dusky. Northern lights play behind the clouds, along with constellations that move too quickly.
The goat walks ahead of him toward the purple peaks, a saddlebag jingling on her back. Her hooves clack on the slats.
The boy follows. He’s no longer tired. They walk for a long time, crossing a gorge even more massive than what he’d seen while awake. After what seems like days, they reach the far end of the bridge. First the goat, then the boy, pass onto grass which looks lush even in the dusky light. He smells night flowers and starry ponds.
The goat turns her head back, then opens a pouch in her saddlebag, using her teeth. She brings out a notebook which looks like the boy’s own, but it is longer. The goat tosses the notebook to the grass and pulls out a pencil. She sketches a bridge crossing a canyon, like a thread through the sky. Then she draws the boy there, walking across it. She shades it with a piece of charcoal.
Having finished her work, the goat lays down to rest. The boy sets his head on her soft and warm belly, then falls asleep himself.
When he wakes it is daytime, and he is still on the near side of the gorge. A thin bridge with wooden slats stretches before him. Though its end is lost in clouds, he knows it must be fixed somewhere, for it does not fall.
Cheerful, the boy sets out across the bridge toward the shiny mountains. Curious, he stops and checks his drawing book. There he sees a drawing of himself, with his head resting on the goat’s belly, and he feels at peace.

***

This scene was inspired my long-term fixation with goats, which even I don’t understand. When I was a teenager, a group of friends and I gave each other goat names (Baby Goat, Mister Goat etc.) These days, sometimes friends greet me by baaing, though I’ve never told them about my time in a teenage goat-cult. People often send me pictures and videos of goats doing funny and strange things. I like their weird, square pupils. It is perhaps all this which brought the idea of a mystic goat to my mind, one who can only be accessed through dreams, but who’s actions profoundly affect the real world.

Thanks for reading. If you’d like to see this scene expanded into a story, then tell me in the comments that this is the one you want. If you want to see what I can do with a deeper story, pick up  my novel here, Fire from the Overworld. It is the story of two young mystics who fight to restore balance in their desert village, when war erupts among its spirit rulers. Feel free to sign up for the new scenes in your mailbox each week, along with guest posts, and my thoughts about living, loving, investigation and creation. 

This work is licensed Creative Commons, attribution, which means you can use it however you want, even commercially. Just let people know which bits came from me. Thanks!

The big ones, or how I got knocked out

Balloon racing by Les Chatfield

 

I’m going to take a break from the scene-of-the-week to tell you about the first time that got knocked out.

(Listen below)

 

I had the experience of looking back at all the major points in my life simultaneously. Actually there are not so many as you might think. Birth is obviously a big one. There were a couple in my childhood from 6 to 12 years old that stand out. A lot of things happened in between these big events, of course, but not unexpected stuff. Learning to eat, sort of eventually. Learning to walk, then run.

The first time I rode a bike without training wheels was a big one. My mom and dad pushed me off, me sitting there on the bike. I flew forward, pedaling hard, and I felt like I was flying around that parking lot, almost empty of cars.

Speaking of two wheeled vehicles, I remember going on a ride which was, in retrospect, extremely dangerous. I was to drive a miniature motorcycle in hoops around a thick plastic sphere, going up, upside down, down, round the bottom, up again… I only made it to the top once before running out of momentum. The motorcycle fell down on top of me, knocking me unconscious. When I opened my eyes, I was looking at the world from a new angle of vision, and I couldn’t remember the transition, how I got there. That was the first time I ever got knocked out. These events are like bubbles fixed to the string of my life. In each bubble the memory plays out in a seamless loop, changing a little each time.

You can listen to this being read to you here:

audio mp3=”https://btlowry.files.wordpress.com/2015/04/the-big-ones.mp3″%5D%5B/audio%5D

 

Or to download it, right click here and choose ‘save link as’

Next week we’ll start again the Scene-of-the-Week series.

Each week, I’ll give you a scene from a story, maybe from the beginning and maybe from somewhere in the middle. These stories will not be fully written, just the scenes. You can vote for which ones you want to have made into a full story in the comments section. 🙂

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