Hi. B.T. Lowry here, fantasy author and videographer. Welcome to the first story developed from the scene-of-the-week series.
The scene which got the most votes was the short film, “Ghosts from 500 Years ago,” so I went right ahead and developed it further. I added more footage and brought in a ghost-king from ancient India and some deep thoughts. If the first part seems familiar, jes’ keep watching.
Here it is:
My special thanks go out to Erothyme, with Biomigrant and Emma Staarbird. Their excellent music is featured in the latter part of the film, the song “Pines and Leaves,” from the album, “Sound in the Living Current.” The whole album–and all their work, really–is excellent. You can find out more about them at these sites:
Also, thanks to unnamed temple musicians of South India and Orissa, whose celebratory sounds also grace this film.
Thanks for watching and listening and reading. Feel free to look around the site, btlowry.com, for more scenes and such. You can also read my novel, Fire from the Overworld, and sign up for the new scenes in your mailbox each week, along with guest posts and thoughts about living, loving investigation and creation. Or you don’t have to do any of that, and we can still be friends.
This week the scene-of-week is in a video. I recently went to the magical land of Hampi in South India and was inspired to make this video about the ancient culture there, which was conquered, which has morphed into the people and customs found here today. I recommend you watch it and listen to it, but if you’d like, the transcription is below.
I look at these old ruins from above, this extensive temple which is crumbling in many places. The courtyard, now empty, must have been filled for celebrations. Deities would have been brought out on procession, accompanied by priests fanning them, offering them food, water, incense and flowers. People must have sang in the procession, beat drums and blown shehnais. Feasts were offered to the deities, then given to rich and poor alike. A king held ceremonies here, for good children, a long reign, and to please God. These dusty ruins were whole and alive. People lived here, they worshipped here. Some of the priests must have served in this temple for years, perhaps decades.
How can I just pass through this place when it had so much significance for them? How can I not stop to mourn their tragedies, and to wonder at the intricacies of their lives?
Each week, I’ll give you a scene from a story, maybe from the beginning and maybe from somewhere in the middle. These stories will not be fully written, just the scenes. You can vote for which ones you want to have made into a full story in the comments section. 🙂
Fantasy writing can be a huge allegory where all the races, places, people and events correlate to equivalents in our world. You could also look at fantasy worlds as being like alternate dimensions of our world, where all the qualities, places and events have been kinda mixed around and matched differently.
Of course this could be heavy-handed: “This guy’s obviously speaking about the cold war. The gnomes are the Americans, the dwarves the Russians, and the super-mushrooms are nuclear weapons. But why does he hate Russia so much?” or “Hey! This is really about the clash between baseball teams, not dragons and elves! This guy’s got an agenda! I want an objective story!!”
Now the way I see it, there are some great advantages to this one-step-removed-from-reality-approach. If an author stays away from blunt and simplistic expositions of one point of view, he or she can say a great deal about this world we’re in, without getting caught up in specifics of race, country and history which people feel really personal about. The moment I say Egypt, or France, or India, or Muslims or Africans or women, people with experience knowing or being those places and races will have a host of preconceived ideas. It’s harder for me to start fresh. But if I make a world and races up, drawing inspiration from this world, I might be able to show you a fresh take on things here.
On the other hand, if an author sets fiction set in this world, he or she can draw from readers’ experiences more directly. If you’ve been to London, if I just write a few lines about walking into Leicester Square on a sunny day, a whole picture replete with scents and sounds will come to your mind.
An author writing fantasy will generally try to have the best of both worlds: setting their story in an alternate world, but drawing many things from this one. A lot of the flora and fauna may be the same, as well as the laws of physics and ways that people interact, express emotions and so on. You can really only go so far from this world without losing your readers.
If you don’t believe this, please read the following poem I wrote in my own, newly invented language. It’s not in the boring Roman Alphabet.