Hi. B.T. Lowry here, fantasy author and videographer. Welcome to the first story developed from the scene-of-the-week series.
The scene which got the most votes was the short film, “Ghosts from 500 Years ago,” so I went right ahead and developed it further. I added more footage and brought in a ghost-king from ancient India and some deep thoughts. If the first part seems familiar, jes’ keep watching.
Here it is:
My special thanks go out to Erothyme, with Biomigrant and Emma Staarbird. Their excellent music is featured in the latter part of the film, the song “Pines and Leaves,” from the album, “Sound in the Living Current.” The whole album–and all their work, really–is excellent. You can find out more about them at these sites:
Also, thanks to unnamed temple musicians of South India and Orissa, whose celebratory sounds also grace this film.
Thanks for watching and listening and reading. Feel free to look around the site, btlowry.com, for more scenes and such. You can also read my novel, Fire from the Overworld, and sign up for the new scenes in your mailbox each week, along with guest posts and thoughts about living, loving investigation and creation. Or you don’t have to do any of that, and we can still be friends.
This week the scene-of-week is in a video. I recently went to the magical land of Hampi in South India and was inspired to make this video about the ancient culture there, which was conquered, which has morphed into the people and customs found here today. I recommend you watch it and listen to it, but if you’d like, the transcription is below.
I look at these old ruins from above, this extensive temple which is crumbling in many places. The courtyard, now empty, must have been filled for celebrations. Deities would have been brought out on procession, accompanied by priests fanning them, offering them food, water, incense and flowers. People must have sang in the procession, beat drums and blown shehnais. Feasts were offered to the deities, then given to rich and poor alike. A king held ceremonies here, for good children, a long reign, and to please God. These dusty ruins were whole and alive. People lived here, they worshipped here. Some of the priests must have served in this temple for years, perhaps decades.
How can I just pass through this place when it had so much significance for them? How can I not stop to mourn their tragedies, and to wonder at the intricacies of their lives?
Each week, I’ll give you a scene from a story, maybe from the beginning and maybe from somewhere in the middle. These stories will not be fully written, just the scenes. You can vote for which ones you want to have made into a full story in the comments section. 🙂
I am a sucker for beautiful films. Don’t get me wrong; gritty stories, which tell it like it is from the trenches, also pull me in, and if the story doesn’t acknowledge the darker side of life at all, it usually seems cheesy.
But I love stories that show me the beauty and innocence in life, which weave a thread binding real life and myth–the conscious and the unconscious.
I recently watched the film, ‘Song of the Sea,’ written and directed by Tomm Moore, who also gave us ‘The Secret of Kells.’ It’s about a boy’s journey from being mean to being a good brother. It’s about a girl coming to know and accept her inner, secret self. It shows that the mundane world in which we move about is not the only world. The people we see in cities and towns are only some of the beings in existence. Part metaphor, part Irish myth, yet set in the modern day, this film reminds of something a great teacher of bhakti-yoga said, Srila BR Sridhar Maharaja, that the world we perceive with our senses is just like the cream on top of an ocean of milk. There is so much more beneath the surface.
The artwork is gorgeous, with watercolor backgrounds and intricate patterns everywhere. The design of the characters is based on simple shapes– circles, triangles, squares and so on. The simple basis of the art makes the innovations all the more pleasing.
There are no enemies in this film’s story. Everyone is doing what they do for their own reasons, no one is wrong. Everyone is redeemed and it feels real, not corny.
He speaks about a continuum of magic systems ranging from soft to hard. A soft magic system is mysterious. Its specific rules– if there are any– are unknown to the reader. An example is Gandalf in ‘The Lord of the Rings.’ What can and can’t he do, exactly? No one knows. The upside of this is that it gives the story a sense of mystery. The potential downside is that if characters use the magic to solve major problems, it seems like a copout.
A hard magic system is more ‘physical,’ in the sense that the reader understands its specific limitations. Superheroes are examples of this: Superman can fly, has laser vision, speed, strength etc. Wolverine can heal really quickly, has claws etc. If Wolverine could suddenly fly, we’d feel like someone pulled a fast one on us.
The magic system in ‘Song of the Sea’ is soft, but we get a general idea of what the characters are capable of, and no one suddenly becomes super powerful. But actually the rules are evident, but they are not physical rules. The magic is limited and liberated by the choices of the characters. As they make key choices the world around them unlocks. I’ll say no more. Watch it and you’ll see what I mean.